I saw Lura onstage for the first time when she was touring in support of her second album M'bem di Flora. My concert-going companion and I agreed that Lura's live performance had a magic that her studio recordings, good though they were, lacked. To me it was the almost entirely acoustic sound of her ensemble that accounted for the warmth, along with the fact of having the barefoot, utterly entrancing Lura there in person. Eclipse, the Portuguese-born Cape Verdean singer's latest, comes closest to capturing the intimacy she radiates live as well as being her most accomplished and varied work to date...
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